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It's been some time since I last saw a movie with creative opening credits. This one is unique, with comic book like panels and graphics, which looks suspiciously like Sin City, capturing different aspects of first responders in a hostage crisis, before dissolving into real life and putting everything into perspective.And we see Bruce Willis with hair! Lots of it! Well, at least for the opening tense and engaging scene. He seems to have monopolized the role of the world weary cop, this time, a renowned hostage crisis negotiator, until the mission goes awry and he literally has blood on his hands.We fast forward to today, and we see the Willis we're all too familiar with - bald, and into a career as a small town police chief. Before you can say "bring on the action!", 3 teenage delinquents hold a man and his 2 children hostage in their swanky ultra modern home.To add to the mix, there's something shady going on behind the man held hostage, and given Willis' reputation as an ex-hotshot negotiator, he's now blackmailed by unidentified masked men holding his own family hostage, who want a DVD from the house with probably important information (don't ask). So Willis has to use his smarts, play both sides, putting his skills into practice and wiggle out of both situations - get the hostages safe, deliver what the masked men wants, and in turn, guarantee safe passage for his own family. Naturally when you play both sides, those on the side of the law always question your motives, as you deviate from the book.What intrigues me is the negotiation process - between Willis and the hostage taking delinquents, and between Willis and the professional masked men - which takes centerstage in any hostage drama. I've been reading up a bit on crisis negotiation, and some aspects of the movie does seem to apply the principles of what I have read, which is cool.It's a thrill from start to end, and this film delivers, with 2 finales tying up the 2 major plots. While at times predictable, the superb delivery by the cast does not bore you, though some might think that having "unidentified" masked men seems a little too convenient, as their motives go unexplained.This is based on a novel, so I might just check out the book. And if Willis' character is called John McClane, this could well be a worthy addition to the Die Hard franchise.
Jeff Talley, who we first meet at a hostage situation in a poor section of L.A., is in charge of negotiating with the man that is holding a woman and a young boy. Talley can't prevent the set of events that happens when the trigger man goes berserk and doesn't want to hear what Talley has to tell him.Fast forward to a year after that incident and we see Talley again. By now he has shaved his hair and beard and by the magic of the movies he is transformed in Bruce Willis, a favorite action hero of many films of this genre. As Talley, he is now working in a small suburban town where soon will be the center of the TV news on all the news channels.Dennis and Kevin, who are brothers, and their friend Mars, like the car that Walter Smith is driving. They follow the car to a remote house that has the looks of a fortress. Walter and his children, the teen ager Jennifer, and the small boy Tommy, are getting ready to order something to eat at home. Little do they know the trio of bandits have decided to invade their home and take the car and whatever they can.When everything goes bad, Jeff Talley, as the chief of police of that locale, comes to the house and realizes what's going on. To make matters worse, Walter Smith is a criminal accountant that is fronting some bad criminals. Smith possesses the key to their ill gotten fortune and in order to ensure he will deliver, the higher ups decide to kidnap Talley's wife and daughter to make him do whatever they dictate in order to assure their money is safe.Back at the house, the trio of young criminals, make the blunder of almost killing Walter Smith, as everything unravels because the situation goes beyond their control. Mars, who is the cruelest one of the three, takes matters into his own to create havoc, but Talley is able to deal with them and his family captors, as we expected him to do.Bruce Willis' role as Talley has been humanized. He is not the hero that shows no feeling in his pursuit of justice. When his family becomes part of the equation, he realizes he is cornered and must act accordingly. Mr. Willis' contribution to the film, although a bit over the top (but then again, it wouldn't be a good action film otherwise), is effective in bringing all the elements together. Ben Foster plays the mercurial Mars, the vilest of the three youths that break into the Smith household. His performance goes from being a cool killer to a desperate man who will do anything to destroy before letting him be taken away.As an action film, and as directed by Florent Siri, "Hostage" is a good entertainment that will not disappoint. The novel by Robert Crais was adapted by Doug Richardson and produces a film that is entertaining and while it doesn't break new ground, it's recommended for fans of this type of movies.
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At first, the students planned a symbolic occupation, in which they would release statements to the press and leave when government security forces came to restore order. This was reflected in placards saying: "Don't be afraid. We just want to sit in." When the embassy guards brandished firearms, the protesters retreated, with one telling the Americans, "We don't mean any harm."[48] But as it became clear that the guards would not use deadly force and that a large, angry crowd had gathered outside the compound to cheer the occupiers and jeer the hostages, the plan changed.[49] According to one embassy staff member, buses full of demonstrators began to appear outside the embassy shortly after the Muslim Student Followers of the Imam's Line broke through the gates.[50]
The initial plan was to hold the embassy for only a short time, but this changed after it became apparent how popular the takeover was and that Khomeini had given it his full support.[50] Some attributed the decision not to release the hostages quickly to President Carter's failure to immediately deliver an ultimatum to Iran.[55] His initial response was to appeal for the release of the hostages on humanitarian grounds and to share his hopes for a strategic anti-communist alliance with the Ayatollah.[56] As some of the student leaders had hoped, Iran's moderate prime minister, Bazargan, and his cabinet resigned under pressure just days after the takeover.
By embracing the hostage-taking under the slogan "America can't do a thing," Khomeini rallied support and deflected criticism of his controversial theocratic constitution,[66] which was scheduled for a referendum vote in less than one month.[67] The referendum was successful, and after the vote, both leftists and theocrats continued to use allegations of pro-Americanism to suppress their opponents: relatively moderate political forces that included the Iranian Freedom Movement, the National Front, Grand Ayatollah Mohammad Kazem Shariatmadari,[68][69] and later President Abolhassan Banisadr. In particular, carefully selected diplomatic dispatches and reports discovered at the embassy and released by the hostage-takers led to the disempowerment and resignation of moderate figures[70] such as Bazargan. The failed rescue attempt and the political danger of any move seen as accommodating America delayed a negotiated release of the hostages. After the crisis ended, leftists and theocrats turned on each other, with the stronger theocratic group annihilating the left.
In 2000, the hostages and their families tried unsuccessfully to sue Iran under the Antiterrorism Act of 1996. They originally won the case when Iran failed to provide a defense, but the State Department then tried to end the lawsuit,[149] fearing that it would make international relations difficult. As a result, a federal judge ruled that no damages could be awarded to the hostages because of the agreement the United States had made when the hostages were freed.[150]
To get my exclusive full interview with former head of FBI hostage negotiation Chris Voss (where he explains the two words that tell you a negotiation is going very badly) join my free weekly newsletter. Click here.
Finally, the one thing we all know: Spotify downloads are genuinely terrible. They constantly pause mid-transfer, fail, or go ridiculously, painfully slowly. There is no reason an 80MB podcast should take 3 minutes to download on my 300Mbps home internet, and yet! Meanwhile, on Pocket Casts, I can have 30 episodes of a show downloaded in well under half that time. (I don't think there's any conspiracy to this part, I just think Spotify sucks.)
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